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John Cavanaugh (sculptor)
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John Cavanaugh (sculptor) : ウィキペディア英語版
John Cavanaugh (sculptor)
John William Cavanaugh, (20 September 1921 in Sycamore, Ohio – 9 January 1985 Washington D.C.) was an American sculptor who worked for much of his career in Washington, DC, where he lived and worked in the Dupont Circle neighborhood. He worked primarily in lead, a poisonous metal. This is believed to have led to his death from cancer of the lungs.
==Life==
John Cavanaugh was born in rural Sycamore, Ohio as the third of four sons of Hilda and Chauncy Floyd Cavanaugh, intensely religious, poor ethnic Irish parents. His family struggled, especially after the suicide of his father in 1929 when John was eight. Cavanaugh first attended local schools, but his mother recognized and wanted to encourage his creativity, sending him to an Ursuline school for art training. In 1938, Cavanaugh went to live and study art in Urbana, Ohio, under Alice Archer Sewall James (1870-1955), learning to paint. (James was a follower of Swedenborg.) Cavanaugh graduated from Ohio State University, with a BA in 1945, studying English and sculpture.〔
In 1946, Cavanaugh married Janet Corneille and they had a son together, who died at nine months of hydrocephaly syndrome. In 1949, their second son Jon was born. In 1951, Cavanaugh won a National Sculpture Society Purchase Prize, giving him a lift to have his artistry recognized. But Cavanaugh felt increasingly conflicted about his sexuality, religion and marriage.〔
In 1956 he left his wife and son, and other family, to move to New York City to pursue his sculpture career and make his way. It caused an irrevocable break with his mother, whom he never saw again. After her death, he became reconciled with his brothers, and maintained a relationship with his son.〔
By 1959 Cavanaugh had developed what became a lifelong relationship with his partner, Philip Froeder, who became an architect and urban planner.〔(John Cavanaugh Foundation - About John Cavanaugh )〕 In 1963, they moved to Washington, D.C. where Froeder had gotten work.〔()〕 This developed as an intensely productive time for Cavanaugh, although he became somewhat isolated from the New York art scene. He continued to participate "in biennial exhibitions at New York’s Sculpture Center until 1977. At the same time, Cavanaugh was receiving income from his twice-yearly exhibitions in his Washington studio space" on Swann Street, NW.〔(John Petro, "In Search of Motion: In Search of John Cavanaugh" ), ''Not for Tourists'', 31 March 2006, accessed 4 May 2015〕

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